The Psygraphy is a pedagogical initiative "Methodology" to interpret the meaning behind our penning (Visual and Writing patterns).
It refers to the self-study and practice of understanding our Inner speech (commonly known as the internal monologue) through Semiotics (a theory used to uncover ‘decode’ hidden meanings in messages).
The Psygraphy as a means of documenting the hidden architecture of our brain, seeks to cultivate greater self-awareness, emotional clarity, creative expression and a harmonious connection between thoughts.
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Author
Ali Soltanolamaei, is a graphic communicator and typography award-winning, actively involved in the International Council of Design (Ico-D), and ADC (Art Directors Club in New York). Read More
Ali Soltanolamaei, is a graphic communicator and typography award-winning, actively involved in the International Council of Design (Ico-D), and ADC (Art Directors Club in New York). Read More
MANUSCRIPTS
The Psygraphy supports a reasonable amount of sharing of research papers by authors, subscribers and authorised users (“Users”), for small-scale personal, non-commercial use provided that all copyright, trade and service marks and other proprietary notices are maintained.
The Psygraphy supports a reasonable amount of sharing of research papers by authors, subscribers and authorised users (“Users”), for small-scale personal, non-commercial use provided that all copyright, trade and service marks and other proprietary notices are maintained.
● 2022, The Science of Word Recognition, Microsoft Typography, Kevin Larson
● 2022, Psycho-graphic. Dialogues between the graphic sciences and the psychological sciences Enrico Cicalò Valeria Menchetelli
● 2021, Semiotics for Beginners, Daniel Chandler
● 2021, Forensic examination of electronic signatures. Priya Sharma and Prakash Jasuja from Department of Forensic Science, Chandigarh University. Mohinder Singh, Formerly Government Examiner of Questioned Documents Central Forensic Science Laboratory.
● 2020, Conceptualization, measurement, and application of semantic transparency in visual notations. A systematic literature review. Saša Kuhar1·Gregor, Polanˇciˇc1
● 2018, Peirce’s Concept of Signs and Kindergarten Literacy. Cynthia B. Leung, University of South Florida St. Petersburg
● 2017, typEm — a generative typeface that represents the emotion of the text, Catarina Maçãs CISUC - Department of Informatics Engineering University of Coim, David Palma Department of Information Security and Communication Technology NTNU - Norwegian University of Science and Technology Norway, Artur Rebelo CISUC - Department of Informatics Engineering University of Coimbra Portugal.
● 2017, An integrative semiotic methodology for IS research. John Mingers from the University of Kent and Leslie Willcocks from the London School of Economics and Political Science.
● 2012, Universal brain systems for recognizing word shapes and handwriting gestures during reading. Kimihiro Nakamuraa, Wen-Jui Kuo, Felipe Pegado, Laurent Cohenf, Ovid J. L. Tzeng, and Stanislas Dehaene
● 2006, Peirce’s Theory of Signs. Stanford Encyclopedia of Philosophy. Edward N. Zalta & Uri Nodelman
● 2000, Hyphen, a typographic forum, A short note about the 'graphic arts archive' of George Zioutos
● 1993, Presidential address graphics in psychology: Pictures, data, and especially concepts DARRELL L. BUTLER Ball State University, Muncie, Indiana
● 1988, The womans dictionary of symbols and sacred objects compress, by Barbara G. Walker, Brown University Library, San Francisco.